Haircut 100: Pelican West - 40

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So what they are doing at the forthcoming shows is also perform some of the stuff from Paint and Paint and North of a Miracle? I think that’s a good move because there’s a lot to like in both of those. Percussionist turned lead vocalist Mark Fox has had an interesting time of it since Haircut 100. He joined Echo & The Bunnymen as their drummer when Pete De Freitas left the band at the start of 1986. By September of the same year, however, De Freitas rejoined the group. (De Freitas was actually killed 3 years later in a motorcycle accident). By then Mark Fox was working for the huge BMG music publishing group. He was the A & R man who Australia's Natalie Imbruglia approached when she was broke after spending a couple of years trying to "make it" in London following her role in Neighbours. It was Fox who she approached. He hooked her up with former Cure bassist Phil Thornally and the trio recorded "Torn". The rest, as they say, is history. As far as we know, Mark Fox is still a creative director with BMG in the UK."

This album is infectious and positive. A breath of fresh air. Listening to it again, I feel like I'm again 17 and going to the high school dance where you can dance to Elvis Costello, Duran Duran, Heaven 17, Psychedelic Furs, Culture Club, Paul Young, Lotus Eaters, Ultravox, ABC, Nena, Billy Idol, The Cure, The Specials, and on and on...Pelican West (liner notes). Haircut One Hundred. Arista Records. 1982. HCC 100. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) The CD booklet features artwork from both the original vinyl album and promotional magazine plus extensive sleeve notes and a UK discography.

Private Language (1979 to 1981) ( http://www.stevefrench.co.uk/biogbands.asp ) ("My jazz fusion band at the University of East Anglia featured Phil Smith on sax and Marc Fox on percussion") Trombone - Vince (Kenton) Sullivan* ( http://www.artistdirect.com/nad/music/artist/credits/0,,498769,00.html ) Adrian Thrills (1 May 2023). "I Didn't Know How to Deal with Being a Frontman". Record Collector. p.57.Favourite Shirts (Boy Meets Girl) / Love Plus One / Lemon Firebrigade / Marine Boy / Milk Film / Kingsize (You’re My Little Steam Whistle) / Fantastic Day / Baked Beans / Snow Girl / Love’s Got Me In Triangles / Surprise Me Again / Calling Captain Autumn / Nobody’s Fool / October Is Orange (Day 1&2)

Kingsize (You're My Little Steam Whistle) 12. Favourite Shirts (Boy Meets Girl) (Long) 13. Calling Captain Autumn Top Selling Albums of 1982 — The Official New Zealand Music Chart". Recorded Music New Zealand . Retrieved 1 February 2022.Photography - Gered Mankowitz Producer - Bobby (Yellow) Sargeant ( http://www.answers.com/topic/bob-sargeant )

NuVista Technologies is the preferred Consulting and Implementation Partner of NetSuite. Specializes in NetSuite Implementation, Integration, Consulting and Managed Services. Nuvista Headquartered in Singapore and India, also has Portfolio across Singapore, India, UAE, and Africa. with this post you made me very, very happy! I never thought the day would come when I listen to those unreleased songs. Haircut 100 utilized horns like nothing I've heard in pop music before or since, and they gave the world this unique and brassy record before their star set forever into obscurity. Pelican West will be reissued on 24 February 2023 via Demon Music. The signed editions are currently only available via the official Haircut One Hundred shop. Just for audiophiles! Mastered by Phil Kinrade at AIR Mastering from the original Pelican West tapes. The master is cut at half speed to create a richer and fuller sound in the low-mid frequencies, and smoother at the top-end.Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. p.131. ISBN 0-646-11917-6. Hepworth, David (4–17 March 1982). "Haircut One Hundred: Pelican West". Smash Hits. Vol.4, no.5. p.29. Christgau, Robert (1 June 1982). "Christgau's Consumer Guide". The Village Voice . Retrieved 14 December 2020. What made me post a comment, though is that I've got a nagging feeling (though one I can't currently substantiate using the web) that Phil Smith in some capacity worked with either John Foxx, Eddie & Sunshine or maybe even I-Level. It may have any one of those, or possibly all of them. I'm certain I remember seeing him 'accompanying' John Foxx on Top Of The Pops, once! Or maybe it's just senescence setting in?!